By me

2022, Harlow, S. J. ‘Sage Pbbbt: Voixes: (dis)possessions‘, Disclaimer.

2019, Harlow, S. J. ‘Exploring the extra-normal self with the extra-normal voice: Improvised ritual possession with voice’, Context 44 (Winter 2019), 25-35.

2019, Harlow, S. J. ‘Non-striated sound spacetime: An ironic political myth’, Soundest Zine 4 (August 2019).

2019, Harlow, S.J. ‘Giving voice to the extra-normal self with the extra-normal voice: Improvised exploration through the realms of shamanic chaos magick, insight meditation and gender performance’, (PhD dissertation, Edith Cowan University).

About me

2025, Wolfgang von Flugelhorn ‘O,D,E review: Sage J Harlow’s experimental opera about Orpheus & Eurydice thrills’, ArtsHub

2025, Wolfgang von Flugelhorn ‘Orphic Mysteries’, Flugelhorn SubStack [longer version of above]

2025, Howie Ng, ‘Review: “O,D,E” is an evocative, inventive gem of experimental theatre’, Isolated Nation

2025, Jay Darroch, ‘An epic retelling through experimental opera’, Magazine 6000

2018, Josten Myburgh ‘interview with Temporary Autonomous Zion’ (video)

2017, Mark Pino, ‘review of invocations of unknown entities’, Disaster Amnesiac

2017, Josten Myburgh, ‘interview with Sage Pbbbt’, Harbour Blog

2016, Tone List, ‘questions about improvisation’, Noise Zine (print) and online

2016, Alyssia Jodie, ‘Transtastic presents Sage Pbbbt’, TransTastic (video)

2016, Mae Anthony, ‘Perth Music Spotlight: Sage Pbbbt’, Dircksey Magazine